Tips

Trombone Mouthpieces

Did you know that something that is smaller than the palm of your hand can have a huge effect on a player’s tone, articulation, projection, and range? All of these things are completely possible to achieve by just changing one part of the instrument. That part is the mouthpiece. For trombone players, the mouthpiece is a crucial element of being able to play the instrument. Without it the instrument is nearly unplayable. The construction of a trombone mouthpiece consists of several different parts and many different kinds of variations depending on the players needs. On the mouthpiece there is the rim thickness, cup depth, cup diameter, rim diameter, throat, and the shank. Each of these parts has a different effect on the players sound. The rim thickness and the shape or contour of the rim has an effect on the comfort of the mouthpiece against your embouchure. The cup diameter and the cup depth each have an effect on the articulation, tone quality/color, and the range the player could achieve. The shank has an effect on the air flow through the instrument and has an effect on the color of the sound that you produce. For example I have played

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Musical Instruments and “Super” Glues – Never Ever!

  CA glue is an ingenious product for certain applications. It is commonly called Super Glue or Krazy Glue, among other labels.   For orchestral or any musical instrument, it is dangerous and strictly taboo. A recent violin repair came in with bridge problems. The bridge was “loose” and had been superglued to the top. The result was a poor bond that failed and left a hard mess on the bridge and the violin finish. The bridge had to be replaced. Before this could be done, the CA glue on the finish needed to be removed. This is a tediously complicated and expensive task that is nearly impossible to accomplish without damage to the finish. The bridge is meant to be held in place with string pressure and must not be glued to the top. CA glue, used anywhere on instruments will cause damage that is nearly always permanent, and is unnecessary. Please never, ever use CA glue on your instrument. We also have band instruments come in quite often that have been super glued back together. Never a good idea! Super glue will never hold a post on or fix a tuning slide that has come apart. They must be

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Should I Lubricate The Tenon Joint On My Woodwind Instrument – FAQs

One of the questions we get quite frequently is “Should I lubricate the tenon joints on my woodwind instrument?” If the tenon joint has a cork then YES it should be lubricated with cork grease. Just a small amount will do from time to time. Too much can cause the cork to fail. (most clarinets, some piccolos and flutes, oboes) If there is no cork and therefore is metal to metal then it should NOT be lubricated. Then tenons are designed to be a slip fit and work without lubrication. They sometimes become damaged, out of round or just become worn and need to be properly re-fit. If you try and use lubrication it will eventually pick up some dirt or a metal fragment and when you put it together can cause serious damage to the tenon. They do need to be cleaned off from time to time by just wiping them off with a clean cloth. If you experience a problem with this type of tenon you need to send it in for repair. (saxophones, bass clarinets, flutes, piccolos)

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Tips on Trumpet Mouthpieces

Budding trumpet players can often improve their sound and playing experience by simply changing the mouthpiece they use. It’s such a small part of the instrument as a whole, but playing the correct model is incredibly important. Now, we could write an encyclopedia about all the different models and measurements mouthpieces come in, but in today’s blog post we are going to focus on helping young musicians understand how the components of their mouthpiece can affect their trumpet playing. Firstly, there are five main components to a trumpet mouthpiece: The mouthpiece and its dimensions you choose are going to affect many aspects of your trumpet playing such as intonation (the ability to stay in pitch), ease of attack, range, volume, flexibility, tone, and comfort. Secondly, it’s important to understand that most beginner-level trumpets come with mouthpieces that have shallower cup depths and medium cup diameters (such as a Bach 7C or Bach 5C). A shallower cup is a bit easier for inexperienced players to produce a sound. As the student progresses in his or her musicianship, they may consider going to a deeper cup such as a Bach 3C. Why consider a deeper cup depth? A deeper cup allows more

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Do You Have Back-To-School Hours? – FAQs

Back-to-school season is upon us and it always brings up the question of our store hours during the months of August and September. We don’t have extended hours during back-to-school season, however, we do make some staff adjustments during this time.  We’ll have extra people in-store both during the week and on the weekends to serve our customers more efficiently.  It’s a very busy time at Paige’s but we’re prepared to serve you as fast as we can so the music making can begin smoothly. Our normal store hours are: Monday – Friday: 10am – 6pm Saturday: 10am – 4pm Sunday: Closed If you don’t have time to make it to the store, you can always take care of your rental instrument by visiting our website.  You can read all about our online rental on our post from a couple of weeks ago.  It tells all about our Debut Rental Plan and how you can access it from pretty much any device. As always, if you have any questions you can contact us by email at [email protected] or by phone at 1-800-382-1099.  

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Quick Tips On Oboe Care

Daily care and maintenance of your instrument is very important to how well your instrument performs. Watch this quick video below for a few, quick tips on caring for your oboe.

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Do I Have To Visit Your Store To Rent An Instrument For My Student? – FAQs

We’re back with a very timely Frequently Asked Question: Do I have to come to your store to rent an instrument for my student? The answer is no, you do not. You can visit our website at www.paigesmusic.com and click on the graphic at the top that says: Click Here to Rent Online.  It’s red and hard to miss! (See above)  Go ahead, give it a try. You can complete the entire process on this page with pretty much any modern device (iOS, Android, phone, tablet, etc.) We’ll deliver your student’s instrument the next time we visit your school, ship it to your home via UPS, or you can schedule a time to pick it up at our store. Back to school time is right around the corner, so now is a good time to take care of your instrument rental for the upcoming school year. As always, if you have any questions, please contact us by phone at 1-800-382-1099 or by email at [email protected].

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Rico/D’Addario Clarinet Reeds

A few months ago we talked about how important it is for a reed player to have a good, well-made reed.  It is one of the most integral parts to their set-up to get the sound they are looking for.  At that time we discussed all of the different reed cuts that Vandoren makes.  This time we are going to look at the other major reed brand, Rico/D’addario. D’addario purchased Rico in 2004 and in that time they have worked tirelessly to provide the reeds that players need to get their “voice”.   They have invested heavily in new technology to make the reeds better and more consistent than they ever have been before.  D’addario grows 100 percent of their own cane which gives them control of the materials throughout the entire process.  Below we have laid out the different models of Rico/D’addario reeds that we stock and the features of them. Rico– This is the standard orange box that we have seen for years.  This reed is unfiled and has thinner profile and blank.  They are cut from the most flexible grade of cane.  They vibrate easy which make them a great reed for Jazz players and students that are

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Quick Tips On Clarinet Care

Daily care and maintenance of your instrument is very important to how well your instrument performs. Watch this quick video below for a few, quick tips on caring for your clarinet.

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Rico/D’Addario Alto Sax Reeds

A few months ago we talked about how important it is for a reed player to have a good, well-made reed.  It is one of the most integral parts to their set-up to get the sound they are looking for.  At that time we discussed all of the different reed cuts that Vandoren makes.  This time we are going to look at the other major reed brand, Rico/D’addario. D’addario purchased Rico in 2004 and in that time they have worked tirelessly to provide the reeds that players need to get their “voice”.   They have invested heavily in new technology to make the reeds better and more consistent than they ever have been before.  D’addario grows 100 percent of their own cane which gives them control of the materials throughout the entire process.  Below we have laid out the different models of Rico/D’addario reeds that we stock and the features of them. Rico– This is the standard orange box that we have seen for years.  This reed is unfiled and has thinner profile and blank.  They are cut from the most flexible grade of cane.  They vibrate easy which make them a great reed for Jazz players and students that are

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Cracked Oboe and Clarinet Tips

Most wooden oboes and clarinets are made of granadilla wood. It is a very dense and stable wood and is very carefully aged and treated before it is made into an instrument. However, it is a piece of wood and therefore is subject to the will of a natural organic product. It is often commented on in professional circles that it is not a matter of “if” your instrument is going to crack but a matter of “when it will” crack. More so with oboes than clarinets. At this point the instrument is not ruined ordefective, it just needs repaired. Something we do all the time. We seal the crack up using one of several different methods and that usually takes care of the problem. However it is also important to note that sometimes a crack will re-appear after it has been repaired at which time we would repeat the same process. What can you do to prevent a crack (Remeber, expect it to crack sooner or later. It’s wood.) Take precautions. Do not keep wood instruments in extreme cold or hot conditions. (Mostly talking about your car here.) When getting ready to play, let the instrument adjust to the

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Summer Time Playing Tips

As we are closing in on the end of another school year, we have a tendency to want to take the summer off from anything school related. When it comes to playing an instrument you have to resist the urge to do that.   You should make a plan to practice and stick with it so that you don’t lose any of the skills that you have taken the whole school year to learn. The great thing about doing this is that you, as the player, get to decide what you want to practice and play. If there is a popular song you have wanted to learn, get the music for it and teach yourself. If there are scales that you need to know, you can learn them at your own pace. The beauty of setting your own practice schedule in the summer is that it is all about what you want to do and learn. If practicing by yourself is not your thing, then take the opportunity to take a few lessons from a local private teacher.   Here is a link to our private teacher list: https://www.paigesmusic.com/paiges/run?id=6&_tid=418&lvid=485. You may find someone that will challenge you and help you learn more in

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Oiling Rotary Valves

Rotary valves require thicker oil than piston valves. The same reasons for using synthetic oil on pistons also apply to rotary valves. The oil we use comes in a bottle with a syringe type applicator. Unfortunately, even this is not very helpful. To properly oil them they need to be taken apart. If you play an instrument with rotary valves and are not handy with a screwdriver and mallet, tiny screws and bits of string, your ability to oil the valves is pretty limited. The pictures will help you understand why. A rotor valve has two bearing surfaces. Both must be lubricated for the valve to work properly. The bearing surfaces of the rotor are underneath the bearing plate (underneath the cap) and buried at the bottom of the casing just under the stop arm bumpers. Right away, it is easy to see that getting oil into those places is not for the feint at heart. Without taking the valve completely apart, it is possible to put a few drops of oil on the bearing surfaces. Take the cap off and moving the finger lever, you will see the rotor moving. Put a few drops of oil there. Then, turn

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Oiling Piston Valves

That your valves need oil is not in question. If it moves, it should be lubricated. Today we’re talking about piston valves (like on a trumpet) and the different types of valve oils. Let’s get started. There are hundreds of brands of valve oil available. Some are synthetic others are petroleum based and each has its own advantages. For many years petroleum based oils were the standard. They smelled bad and stained your clothing, but worked fine. Some were more refined than others and some had added smells – everything from chocolate to cinnamon! Some even had additives to make them smoother and slicker. However, all petroleum based oils have a tendency to dry out and leave the additives behind to foul your valves. For the majority of our school music instrument repairs we have chosen to use a synthetic oil. It does not smell, does not stain your clothing, is long lasting and works fine. Unlike petroleum products, it comes in thin (for new valves) regular (for student instruments) and heavy for instruments that have worn valves). We think for most players and students that synthetic oil is the best choice. We use Hetman and Accent oils in the

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Quick Tips On Flute Care

Daily care and maintenance of your instrument is very important to how well your instrument performs. Watch this quick video below for a few, quick tips on caring for your flute.

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School Is Ending – What Do I Do With My Instrument?

As we near the end of the school year, one of the questions on a band parent’s mind is, “What do we do with my student’s instrument?” There are a couple of answers to this, but we can help you answer them. First, you need to find out if your student plans to play again next year. If the answer to this is “yes” then you don’t need to do anything. Your student will bring the instrument home on the last day of school. This will give them the ability to play it all summer long. There are many online resources that they can utilize to make their playing even better while they are at home. The best part about it is that you student will be able to play whatever music they choose and they will go back in the fall an even better player than they were at the end of May. If your student has decided that they are not going to participate in the music program next year, we make getting their instrument back to use easy as well. Here is a video that explains exactly how to get it back to us. And as always, if

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Quick Tips on Saxophone Care

Daily care and maintenance of your instrument is very important to how well your instrument performs. Watch this quick video below for a few, quick tips on caring for your saxophone. You can find more care and maintenance videos for saxophone by clicking here.

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Meet The New Yamaha Silent Brass

One of the most important things we can do as musicians is practice.  The more time we spend playing our instrument on our own, the better we will become.  The problem is that instruments, especially brass instruments, are hard to play quietly so it makes it even more difficult to find that winning formula of time, place, and the ability to practice.  Yamaha is always developing ways to make playing easier from the advancements they make with their instruments to a full line of accessories to keep those instruments playing well, so it should come as no surprise that they have upgraded their Silent Brass offerings to make practicing that much easier. First off, the Silent Brass System is a practice tool that incorporates a mute, headphones and a control unit.  When the player puts the mute into the bell of the horn, they can play unnoticed by most people as loud as they want.  They have control of the volume and all of the sound goes into the headphones, so they can literally practice anywhere. The updated Silent Brass System, takes what was a good practice tool and made it even better.  The mute is smaller, so in most

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Does Your String Instrument Have An Extra Buzz?

From time to time we get string instruments in with a complaint about a buzzing sound or vibration. Sometimes a buzz is a simple matter to correct. Sometimes it can be a long process of elimination that proves very frustrating. There are some simple causes and corrections that need to be considered before anything is taken apart. Some simple causes are loose fine tuners, fingerboard position tape, the chinrest vibrating against the tailpiece, unsecured chinrest tightening screws, unsecured string sleeves, low nut notches, objects inside the instrument, defective or fraying strings, open seams, and glue or varnish in f holes. With cellos and basses the endpin rod will cause a buzz when it is not secured or even when it is not pulled out. It is often a combination of the above problems, which leads to a process of elimination that can take time. This can be quite frustrating when the answer is simple but elusive. Sometimes it is a judgment call if or when a string that looks fine is actually false or has loose winding. It is a bit of relaxed humor in our shop that the bass bar is sometimes considered first when it is almost never

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Vandoren Alto Sax Reeds – Looking For That Perfect Sound

Reed players are always looking for the perfect sound.  They have that sound in their head and they just need to go find it.  There are many factors that are in play when the musician is searching for it.  One of the most important pieces in that musical equation is the reed.  One of the most popular brands, worldwide, that players from beginner to professional rely on is Vandoren. Vandoren is known for making a very consistent reed, so, as a player, you know that you are going to get a good reed each time you open the box. They have quite a few different options and cuts, which makes it that much easier to find the “perfect fit.” This week we are going to focus on the different styles of saxophone reeds that we stock and the features of them. Vandoren Traditional – This is the standard blue box. This reed has the thinnest tip and the thickest heart of the sax reeds. This provides the player with crisp articulation with a full, dark sound. Vandoren V12 – This reed has a thicker heel and are cut on a longer palette than the traditional reeds. The longer palette means

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