Mouthpieces

New Ligatures Now in Stock at Paige’s Music

We are thrilled to announce that we are expanding our inventory of ligatures! For those who might not be familiar, a ligature is a small but crucial piece of equipment for woodwind players. It secures the reed to the mouthpiece, directly influencing the sound and playability of the instrument. Here at Paige’s Music, we understand the importance of having the right ligature to match your playing style and needs. That’s why we’re excited to introduce three new ligatures to our collection:

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Michael Stricklin Clinic at Paige’s Music

Are you someone who has been looking for a new Jazz mouthpiece but don’t know where to start? Finding the perfect mouthpiece that is tailored to your unique playing style is a daunting task, which is why I am excited to announce that on August 28th at 7pm, we will be continuing our “Tools of The Trade” series with the great Michael Stricklin, presented by jj Babbitt!

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Encore Orchestral Strings
Artist Clinic

Second Annual Tuba & Euphonium Day at Paige’s Music

  I am thrilled to announce Paige’s Music’s second annual Tuba & Euphonium Day on Saturday, April 1. This year, we’re partnering with the Eastman Music Company and Warburton Music Products to bring you a full day celebrating all things low brass, and welcome the world-class Dr. Gail Robertson (Professor of tuba and euphonium, University of Central Arkansas) and Dr. Stacy Baker (Professor of tuba and euphonium, Morehead State University) as the featured artists!

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Jason Bergman Clinic at Paige’s Music

We are SO excited to host newly appointed Associate Professor of Trumpet at Jacobs School of Music (Indiana University) and President of the International Trumpet Guild, Dr. Jason Bergman for an in-store all instrument clinic DREAM BIG: Tips for Successfully Navigating the Music World. If you love music but aren’t sure what route to go to achieve your dreams, then this is the clinic for you.

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Jazz Mouthpiece Recommendations for Saxophone

When looking for a new mouthpiece I think it is a great idea to try out a few mouthpieces before you decide on making the purchase. I have some recommendations for jazz mouthpieces that will help the development of a quality jazz sound. I believe that starting out on a hard rubber jazz mouthpiece will help develop a strong sound and feel for the jazz mouthpieces. If you are just getting started in jazz band I would recommend trying out some Meyer and Otto Link mouthpieces preferably the hard rubber. These mouthpieces are not only great for beginners, but more advanced players as well. If you are a little bit more advanced with jazz music. I would highly recommend trying out the Vandoren V16 M/S+, Daddario Jazz Select (pictured), or Jody Jazz Hr*. These mouthpieces are high quality and reasonably priced! Please reach out to me if you have any questions!

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General Paige's News

Woodwind Classical Mouthpiece Recommendations

When looking for a new mouthpiece I think it is a great idea to try out a few mouthpieces before you decide on making the purchase. I have some recommendations for classical mouthpieces. These mouthpieces will suit playing in a concert band or solo setting.

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Woodwind Mouthpieces Explained

Woodwind mouthpieces have several crucial parts that work together with the reed to produce the sound from your instrument.  Read on to learn about the various parts and how they might effect your choice of reeds!

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Two Of A Perfect Pair

I feel like I talk about mouthpieces WAY too much. And you know what they say; “The first step to solving a problem is admitting you have one!” At one point I definitely had 70 mouthpieces of all different sizes with different purposes and I would just try to make things work even if they didn’t want to, which I now realize is the wrong way to go about selecting equipment. This brings me to a very important topic and an anecdote to help try to prove my case. I bought a very specific, specialized trumpet from a friend that was designed to be an orchestral Bb and pair well with the matching C trumpet model in this brand’s line. Now, I truly believe there isn’t much this horn can’t do, but I definitely feel that it favors larger mouthpieces in general to achieve the purpose for which it was built. There are many factors to consider such as bore size, bell, leadpipe, and instrument weight, as well as many others.  I’ll take a few horns and give some examples of mouthpieces that might work well with it and why.

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When to Buy Which Trumpet? Jazz/Commercial Edition

I’ve got some news for everyone: I am a trumpet junkie. I have always been fascinated by different brands and models and have even experienced many cases of FOMO (fear of missing out) when it comes to my equipment. I’ve taught several students and have had to have this conversation many times and have even asked for personal recommendations. Today is just a quick look at what instruments you should purchase and when, depending upon your musical path. While it is super difficult to give a recommendation without hearing people play or know what their interests are, I will give some fairly general model recommendations from the “Big Three” brands of trumpets along with a few special suggestions when needed. Today we will discuss instruments needed for those who want to primarily be Jazz/Commercial players and they will be in order of importance. (Your timeline may vary. Please consult your teacher/professor on when it is appropriate to purchase these instruments)

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The Case Against Beginner Buzzing

To start with, this is not an anti-buzzing campaign. Over my years of working with students whether it be privately, in group settings, or even observing other teachers working with them I have come to a conclusion: I think having your beginning trumpet players mouthpiece buzz is harmful to their development. Here’s why.

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Mouthpieces and how to choose, “Unpopular Opinion Edition”

Raise your hand if you’ve had a band teacher or private instructor tell you that you needed to go from your 7C to a 5C, then to a 3C, then to a 1-1/2C and so on and so forth. Ok, now that we’ve all put our hands up, let’s get down to my unpopular opinion: There is no set progression for mouthpieces. They are not like shoes where you start with a size 5 and eventually get up to a size 12. As discussed earlier on October 3rd, 2019; we talked about some factors that help us choose mouthpieces. Today we will briefly discuss a couple of those and other things to think about when testing mouthpieces.

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Mouthpieces and how to choose, “Lead Mouthpiece Edition”

When I was in high school and it came my turn to play lead trumpet in jazz band, I was like most high school students and began searching for a way to improve range and endurance. We all want to nail those high notes at the end of the show or the concert! How can we achieve this? Most students at that point get on the internet or go to a store and ask about mouthpieces to help them play higher. Enter the Bobby Shew Lead mouthpiece or the Schilke 14A4a. Too often have I seen students purchase these mouthpieces and after a couple weeks tell me that they aren’t working for them anymore and then ask me, “why not?” There are a number of reasons.

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2019 International Trombone Festival Review

Each year the International Trombone Association(ITA) hosts the International Trombone Festival (ITF). Held in the summer, this week long festival offers youth workshops, professional development, concerts, masterclasses, and show space for dozens of the world’s top manufacturers of instruments and accessories. This year’s ITF was held on the campus of Ball State Universityin Muncie, IN. One of the ITF’s main objectives is to unite musicians from all parts of the world, but another goal is to showcase the amazing musicians on a more local scale.

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Mouthpiece Clocking: Voodoo Magic or Real Science?

As a brass player, there are naturally good days and bad days. Days where the instrument sings effortlessly, and days where you want nothing more than to touchdown spike your instrument into the pavement. What if I said that this issue could partially be within your control without changing the way you play?

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Exciting News for Brass Players – New Brass Mouthpiece Display at Paige’s Music

Paige’s Music has been the one-stop shop all things band and orchestra in central Indiana since 1871 and we are constantly looking to improve our service and product offerings. The newest addition to our Indianapolis location is a brass mouthpiece display featuring more than 60 mouthpieces specifically chosen by our brass specialists, Ross Werner and Tucker Woerner based on their knowledge and input from local teachers and professionals. Anyone who visits our store will be able to try any and all of these mouthpieces in the pursuit of perfecting their sound.

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Hammond Design Brass Mouthpieces at Paige’s Music

Paige’s Music offers a variety of Hammond Design brass mouthpieces. Hammond Design mouthpieces are handmade by Karl Hammond near Chicago in Western Springs, IL. Hammond mouthpieces provide a fantastic combination of warmth and core while giving the player quick and dependable response. Mouthpieces for trumpet, mellophone, trombone, and tuba are all available through Hammond Design. Hammond’s numbering system is unique, and it is important to understand what the markings on a mouthpiece mean. These charts (trumpet and trombone) are helpful in understanding similarities between Hammond Design mouthpieces and other mouthpieces that may already be in your case. It is important to note that while the dimensions between a Hammond Design mouthpiece and a mouthpiece of another brand may be similar they may play differently. The following mouthpieces are available for testing in our store. Trumpet: 4MB, 5MB, 6MB, 4ML, 5ML, 4MLH, 5MLH Trombone: 10ML, 11ML, 12ML, 13ML   For more information, please feel free to contact Paige’s Music or visit www.karlhammonddesign.com

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D’Addario Alto Sax Rico Reserve Mouthpieces at Paige’s Music

We’re excited to announce that we’re now carrying D’addario’s line of Reserve mouthpieces for Alto Saxophone! The MJR-D145, MJR-D150, and MJR-D155 all feature an innovative oval chamber, producing an excellent response and full, dark tone character. While D’addario beta tested the prototype models by shipping them to over 100 artists, teachers, and students, I was fortunate enough to get to spend some time on each one of them personally, and was very impressed by the results.

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