General News

Rigo’s Favorite Cellists and Why

Taking a break from going around the shop, I’d like to give you some cellists who I would consider my “cello heroes.” Steven Isserlis – his playing has captivated me since I first started playing cello.  His use of gut strings on his Stradivarius gives a unique sound no one can match!  Particularly, his recording of Schumman’s works for cello are especially beautiful.  I’ve taken some nuggets of wisdom from his approach to playing: let the music guide you as you, don’t try and force any of your own ideas! Gautier Capucon – I had the pleasure of seeing Mr. Capucon perform the Saint-Saens concert with the Chicago Symphony a few years ago.  He has a deep, rich sound that projected all the way to me in the back of the hall!  His recording of the Dvorak cello concerto is one of my favorites, as well as his recording of Prokofiev’s Sinfonia Concertante.  Pablo Ferrandez – He has a unique style with a very physical playing technique.  He has a series of videos on YouTube about cello technique that I have found very helpful.  He once posted a video where he compared 3 different Stradivarius cellos.  That would be a

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John’s Cello Heroes

This week we take a break from describing the differences between various items in the shop and focus instead on musicians who inspire us.  Here are a few of my cello heroes from when I was a young cellist:

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Encore Orchestral Strings

(Re) Introducing: Rigo Barrozo

Now that I am settled in to my new position and John has reintroduced himself, I thought it would be a good time to introduce myself as well.  My name is Rigo Barrozo and I am the new specialist at Encore Orchestra Strings.  I began my journey with Paige’s in June of 2019 as an intern in order to complete my Music Business degree at Indiana State University.  I was then hired as a retail sales associate, and in September of 2021, was given the opportunity to work in Encore.   In telling you who I am, you probably notice John and I have some key things in common!

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Encore Orchestral Strings

(Re) Introducing: John Rihani

As we begin the second month of 2022 and look out at the horizon – hopefully at a post-pandemic world – we decided it would be a good idea to reintroduce the members of our team.  My name is John Rihani and I am the manager of Encore Orchestral Strings.  Paige’s Music hired me in the spring of 2006 to be an orchestral strings specialist.  This was the same year Chops Percussion launched with the Indy Flute Shop to follow. So, who am I?

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Encore Orchestral Strings

Music In The Time Of Covid-19

So many things are up in the air as everyone wades through uncharted waters when it comes to this worldwide pandemic that we are experiencing.  Schools converted to e-learning, theaters have gone dark, concerts have been rescheduled, marching bands are putting together routines virtually… these are all scenarios that we as artists/teachers/students didn’t expect and are now trying to find creative ways to continue making music and sharing it with the world.

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Paige’s Music Curbside Pickup Available Again

Beginning Tuesday, April 14th we will be open normal business hours to take phone, email, online orders and to provide contact-free curbside pick-up while our showrooms remain closed. We will also be running a modified delivery route to central locations in local school districts on an as-needed basis and every purchase during the stay at home order will receive free shipping to your home. Please contact us so we can work with you to provide the most convenient arrangements possible to serve you during this current stay-at-home order. Curbside Service Details 1. Call us at 317-842-2102 It’s best to call ahead so we can get your order or serviced items ready to go prior to your arrival.  This will save you time once you’re here. 2.  We’ll take your order or prepare your loaner or repair to be picked up.   3.  Call us again when you arrive.  The number again is 317-842-2102. 4.  One of our staff members will bring your items out to you. Staff members use hand sanitizer between each customer interaction  We use disinfectant wipes on the handles of each instrument prior to bringing then out to you. Receipts can be emailed to you if we have your

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Encore Opening For Phone, Email, and Website Orders

Starting Wednesday, April 8th we will be open our normal business hours to take phone, email, and online orders. Our showroom will remain closed for now. Every order during the stay-at-home executive order will receive free shipping. Our normal business hours are: M-F: 10am 6pm SAT: 10am – 4pm SUN: Closed You can contact us by using the information below: Encore Orchestral Strings: 317-577-3434 800-974-4713 [email protected] Paige’s Music – Retail Sales: 317-842-2102 800-382-1099 [email protected] Paige’s Music – Repair: 317-577-3415 800-337-0471 [email protected] Paige’s Music – Accounting: 317-577-3429 800-795-4149 [email protected]

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Encore Closed Until April 7th

In compliance with the recent executive order issued by Governor Holcomb, Paige’s Music and our specialty shops Chops Percussion, Encore Orchestral Strings & Indy Flute Shop will be temporarily closed until Tuesday, April 7th. During this time we will not have access to our facility. So, there will be no in-store or curbside pick-up and no outbound shipments or deliveries. We will be monitoring e-mails remotely and will respond within 24 hours to your e-mail inquiries. To insure that your inquiry is directed to the best person to help you, please use the appropriate e-mail address below: Questions about your current account: [email protected] Questions about an instrument repair: [email protected] Questions about an instrument rental, sale or accessory: [email protected] To reach our specialty shops: Chops Percussion: [email protected] Encore Orchestral Strings: [email protected] Indy Flute Shop: [email protected] We will be ready to serve you as soon as this closure order is lifted. In the meantime, please take advantage of this unexpected opportunity to enjoy the beautiful gift of music with your loved ones! Sincerely, The Paige’s Music team

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The Indianapolis

Every 4 years something special happens here in Indy; The International Violin Competition of Indianapolis.  2018 marked the 10th quadrennial meaning that this competition has been in place for 40 years!  I had the pleasure of first experiencing the IVCI as a high school student in the audience back in 2006.  I was blown away by the caliber of playing that was being performed during one of the preliminary rounds.  Fast forward 12 years and I had the opportunity to attend the live performances for every session throughout the competition and this year did not disappoint! During the preliminary round, every violinist selected for the competition is required to play Bach, Paganini, Mozart, and an encore work for violin and piano.  After hearing all 40 of the competitors, the field is narrowed down to 16 for the semi-final round which requires each violinist to perform a 75 minute recital.  During the semi-finals, all 16 violinists had to play “Suite No. 3 for Solo Violin” by composer William Bolcolm which was commissioned for the competition.  This was probably my favorite part of the entire competition because the piece itself requires quite a bit of improvisation from the player.  Hearing each interpretation

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R-O-Y-G-B-I-V

You may be asking yourself what the colors of the rainbow have to do with orchestral string instruments… CASES!  Yes, we have an abundance of “cello shaped” Tonareli cases for violin and viola currently in the shop that includes almost every color of the rainbow and so many fun colors in between.  We even have a rainbow case in a hounds tooth print if you want to embrace your wild side! Not only are these cases fun to accessorize without having to do anything to your instrument, but they are durable made with fiberglass materials and lightweight (around 5 lbs) making it easy to transport.  It may not look like much is there for storage, but there is plenty of room for 2 bows, a removable accessory compartment, and a spot for your shoulder rest. The case also comes with a blanket to help protect your instrument as well as two shoulder straps to help carry it. Do you want an extra compartment for your music?  We have the attachable music bags specifically designed by Tonareli that you can add to your case available for purchase as well. Come in for a visit and ask us about our special pricing for these

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It’s Getting Hot In Here

We’re approaching the middle of summertime where temperatures are averaging above 85 degrees Fahrenheit with high humidity levels in Indiana.  We all know that cold winters present it’s own challenges, but the summer heat can create just as many issues.  Wood is an organic material that will always react to the temperature, which is why we have to be careful about where the instrument is being stored. We have seen fingerboards come unglued, necks pop out of place, and varnish essentially melt. With the high levels of humidity and scorching temperatures that we endure in Indiana, you want to be careful with how you store your instrument and where it is being stored.  One of the most common scenarios that we hear about from our customers involves leaving an instrument in the car on a hot summer day. No matter what the temperature outside is, it is safest to bring the instrument inside with you wherever you are.  We recently had a cello come in that suffered quite a bit of cosmetic damage due to it being left in a hot car for an extended amount of time.  Not only was the varnish ruined by the heat, but the cello itself

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Gooooooooooooooal!

In spirit of the World Cup going on right now, I thought it would be a good idea to talk about goals! Many of our customers start out on a student level instrument, but don’t realize that there are upgrade options above that violin, viola, cello, or bass that they are renting to own or possibly already own from our store.  Depending on what your student’s goals are, it may be time to start thinking about trading in that student level instrument and think about upgrading. There are several scenarios that I can think of where upgrading is going to be the best next step, but let’s stick to a few basic questions so we can work together on finding the appropriate instrument for the student’s goals. Is the student planning to continue playing in high school? If the student is already playing in high school, has he/she considered playing after graduating? Is the student interested in or currently taking private lessons? Does the student participate in ISSMA competitions (example: Solo and Ensemble)? If you said “yes,” to any of these questions, it might be time to consider coming in to look at upgrade options for your student’s instrument.  We have

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Birth Of A Viola

I visited the workshop of Eugene Holtier today to pick up a cello he made for the shop. We will also receive a violin of his in the next two weeks. What’s missing?  A viola! (He doesn’t make basses…)  We chose this beautiful material from his stock and we should see the finished instrument next spring. Although it will be 16 1/4”, the slender neck and several other features will make it comfortable even for players who wouldn’t usually choose that size.  We are excited to see hear its voice!!

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Encore Orchestral Strings

Are You Ready For A Bigger Instrument?

As the summer winds down and students prepare to go back to school, one thing parents are trying to get ahead of is the last minute rush of getting their student’s instrument ready for the new school year.  It is very common for students to quickly outgrow their fractional size instruments and we are here to help with that!  We can assist in figuring out what size instrument your student needs to play so they have the best tool to help them progress as a player and musician. If your student is on a fractional size instrument that may seem to be too small, bring them in and we can help make sure they have the proper size that they need.  A fractional size instrument is considered to be anything below a 4/4 or full size.  We will have plenty of options available to you as we want to make this a simple process for everyone involved.  It is important to remember that as kids grow, so do their instruments!

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Encore Orchestral Strings

The Bow Makes A Difference

As I was trying out one of our new “small room” violas today, I decided to test out different bows along with it. What I noticed is that I preferred a Carbon Fiber bow over a Pernambuco bow with this particular instrument which isn’t always the case with other instruments. Not only did I notice a difference in how it sounded, but also how it felt. Every player is going to have a different preference when it comes to how a bow sounds and feels with his or her specific instrument. If you are in the market for a new bow for any string instrument, I would like to invite you to stop by our shop to test some out! We have a variety of Brazilwood, Pernambuco, and Carbon Fiber bows available for you to choose from!

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Out Of State

While Encore Orchestral Strings and Paige’s Music are known as Indiana owned and operated businesses, primarily serving our customers here in the state of Indiana, I am routinely contacted by people from other states asking about our products and services.  Just today, a customer is traveling from a neighboring state to shop for a cello.  Many different factors lead people from other states to choose to work with us.  The most common reason is a word-of-mouth referral – someone who had dealt with us in the past is so happy with the instrument and service they obtained from us that they share the news with their friends.  Nothing makes us happier than to hear people so excited about working with us that they suggest others make the trip to visit us! If you are considering an instrument or bow purchase in the Midwest, please contact us.  We can often provide a superior instrument at a superior value.  We would love to have you visit!

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"New" New or "Antiqued" New

I originally posted this picture on the Encore Facebook page, but I’ll use it again today as a great illustration of the question I posed last week – “new” new or “antiqued” new. The violin pictured is a beautiful instrument completed in 2015 by the internationally renowned and awarded violin-maker, Kurt Widenhouse. It is his interpretation of a well-regarded violin by Guarneri del Gesu (1698-1744). Ray Chen, a top violin soloist, plays a Widenhouse violin along with his slightly more famous Stradivari. Ray’s violin from Kurt is antiqued because he is subject to the prejudices of his audience – old is better. It takes considerable courage for a prominent musician to play a “new” new instrument. Despite numerous studies to the contrary, the public’s perception contains the following facets – 1. the musician would sound better on an old instrument 2. the musician cannot afford an old instrument 3. the musician is not talented/prominent enough to be loaned an old instrument. As with most erroneous prejudices, it will take courage and education on the part of players, makers, and dealers to pave the way for a broad acceptance of “new” new instruments.

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Get To Know Us – Meet Tom May

Next up in our “get to know us” series is the man, the myth, the legend…TOM MAY. Here’s his story in his own words: Tom May’s interest in music began just after his birth with his first breathing cry, electrifying the room with its crystal clarity. “That boy is going to be musical,” said his mother, in sweaty relief. His father just couldn’t get over how ugly the boy was. Years passed and Tom’s musicality grew with each instrument he tried to play. “That boy is going to be musical” was his mother’s mantra. His father continued to wonder at his son’s lack of beauty, although he no longer had permission to say it out loud. Blissfully unaware of this, Tom continued to make music in one form or another. His voice continued to grow. The viola and string bass made appearances to him and he grasped the opportunities and ran for a while. During and after several family moves, vocal training and choirs became his immediate focus. Creeping along insidiously was an interest in ukulele and guitar—now a proven life-long interest. Everywhere he sang or played, his mother would say, “That boy is going to be musical.” His father

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Get To Know Us – Meet Derek DeZarn

Next up in our “get to know us” series is Derek DeZarn, one of the luthiers at Encore. Instead of Derek writing his own bio (you can read a little bit about his background at https://www.paigesmusic.com/about/), I thought I’d talk about some of the reasons I love having him here on our team. When you think about entrusting someone with your personal instrument – whether a humble starter instrument or a valuable antique Italian – you find yourself in a vulnerable position. Your instrument is not only one of the primary tools you use to make music, but is also part of who you are as a musician. Handing it over to someone, anyone, is something many musicians find difficult. Derek understands this. He is very soft-spoken with his clients and makes sure they understand what he plans to do and why he plans to do it. I’ve seen him spend an afternoon with a customer who is searching for a particular sound from their instrument and I’ve seen him set a sound-post in no time for a mom desperate to get the instrument to her student’s concert in time.  Another great thing about Derek is that he understands that there

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Get To Know Us – Meet John Rihani

One of the best things about being a part of Encore and Paige’s is the relationships we develop with the people we help. Some of these relationships are old – college friends who are now performers or school directors. Some of them are new – people who purchased instruments and became close friends. Whether old or new, these relationships encourage us, shape us, and challenge us. In the spirit of relationships, we thought we’d start out 2015 by posting short stories about the members of the Encore team. The purpose is to let you know a little bit more about us and how we ended up here, serving you. First up is John Rihani… When did I fall in love with music? I remember there being music around the house growing up, but my first real memory of music making a strong impression came when I was nine or ten years old. My dad had one of the first “portable” CD players…although a battery pack that took six C-cell batteries is far from today’s standards of portable! I remember him playing a recording of Beethoven’s 9th symphony (Cleveland/Dohnanyi/Telarc) with that little CD player hooked up to a Panasonic boombox…I was

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